Research Paper and Essay

Pakistan bears, that is, the literature of Pakistan, is a distinct literature that gradu e precisey came to be delimit after Pakistan gained nationhood side in 1947, emerging out of literary traditions of the Indian subcontinent. The sh ard tradition of Urdu literature and side of meat literature of British India was inherited by the new state. Over a period a body of literature unique to Pakistan has emerged in nformer(a) all major Pakistani languages, including Urdu, English, Punjabi, Balochi, Pushto and Sindhi. Pakistani English writing has had some readership in the country.From 1980s Pakistani English literature began to receive national and official recognition, when the Pakistan academy of Letters included dallys originally written English in its annual literary awards. The composition Repersentation of Muslim Woman through Pakistan manufacturing newfangledists leads to describe every aspect of Muslim Womans carriage whether she lives in Islamic country or any othe r country. There are some fiction new(a)s written by Pakistani Writers available on Muslim Woman such as Zohra by Zeenuth Futehally Rummana Futehally Denby,Fall of imaum by Nawal Sa?dawi,Does my head look big in this?y Randa Abdel-Fattah,Amina by Mohammed Umar,Mpas for muddled lovers byNadeem Aslam,Things I never told my mother byUm Daoud, The girl in the tangerine scarf by Mohja Khaf, My name is Salma by Fadia Fariq, The writing on my forehead by Nafisa Haji, Marriage on the street corner of Tehran by Shahram Nadia, Sunlight on a broken coloumn by Attia Hosain, Dear prophet-A Womans story, Awife for my son by Ali Ghanem and Size of a mustard seed by Umm Juwayriyah, in which informants allow described different situations of Muslim Wo hands dealing in their lives.The aim of my paper is to discusss the way in which various representations of Muslim Women are constructed in Pakistan English novels through Pakistan novelist. This paper construct the Muslim women as universal, ahi storical, and undifference category who become essentialized through the uniqueness of their difference. Literature Review The literature discussing Muslim Women in online context, similarly to that on Muslim Women offline , seems to be center on head and face covering, adding to the existing bodies of themes some new ones, nonably reflections on islamic get along from marketing and fashion design perspectives.POOL writes that Heavy black hijab dominates the representations of Muslim Women internationally. Result Muslim women in all over the world possess all the capabilities to cope up with twenty-four hour period-after-day life , though she is cosmos exploid in some islamic country hardly she has the power to deal with every evil with long suit and courage. Research methodology Paradigms I view used for my research is qualitative. Tools from which I have gathered my inauguration are iternet- wikkipedia,Amazon. com, Desistore internet service, University of Texas press, Bookclubs and Clearmart.Method of my study is document analysis. Discussuion The representation of muslim adult female begins to become a to a greater extent generic gendered difference largely uncomplicated by religious or racial difference. Muslim womem are depicted through same referents as European women with little textual difference or as, Khaf instals it, with their Muslim-ness hovering in the background is punctuated by certain shifts in the Muslim women sexuality. For example , she becomes less of a passive object of male desire and, in some scenario , recuperates some control over her sexualitys use.According to Kahf the conventional myths of Islam warned or went into latency during this period because the forces producing them( e. g. ,the church) has stalled. During this curious lull, she argues, older myths of islam cut off from their sources, mulate, transform and seems to drift randomly, while emerging new myths are still vague and unsteady. Following the soun d of Mohj Kahf , I argue that the politics of representing Muslim Women has been tied to the material and ideological conditions characterizing the relationships between the west and islamic societies.Drawing upon the work of Fdir Faqir , we can become aware of the courage of the Muslim Woman in his novel MY holler IS salma. It is the story which throws light on the inequalities and the dangers faced by Muslim Woman in some closes when they have a child originally labor union. The novel reveals the story of Muslim girl salma who when become pregnant before uniting in her small village in LEVANT, her her innocent days swimming in the resound are gone forever. She is swept into prison for her take in protection . To the sounds of her screams , her new born baby snatched outside .In the middle of the most English of towns , EXETER, she learns good manners from her landlady and settles down with an Englishman . But deep in her essence the cries of her baby daughter still echo. W hen she bear them no longer , she goes back to her village to find her. It is the excursion that will change anything- and nothing . Slipping between the olive groves of the LEVANT and hence rain-sticked pavements of EXETER, MY NAME IS SALMA is a searing portrayal of a Muslim womans courage into the face of insurmountable odds.DOES MY HEAD musical note BIG IN THIS? is the story of 16-year-old Amal, an Australian-Palestinian who struggles with standard high school drama, in the context of being a Muslim girl who has recently adopted the hijab. So, before anything, mashaAllah Muslim teenage girls are finally represent in adolescent adult/teen fiction. Not as terrorists. Not as child brides. Instead, theyre average high school girls. Author Randa Abdel-Fattah takes this responsibility seriously and she tries to tackle every issue facing Muslim teen girls.Its understandable that Abdel-Fattah would have a lot to achieve in a book like this. She takes on the hijab (the decision to g o from non-hijabi to full-time hijabi, the reactions, the consequences), the image of Islam in the context of modern terrorism, boys and dating, culture vs. Islam, sexism within the Muslim community, racism, Islamophobia, prayer and wudu, fasting, and being the lone Muslim in an upper-class Australian prep school. Shes a Muslim teenager and she watches Sex in the City. She has a mad occlude on her classmate Adam, showing that Muslims are in fact not asexualIts provoke to see how Abdel-Fattah handles the conflicting forces within Amal she is intensely attracted to Adam (from forearm lust to his spirit), besides she does not deliberate any romantic relationship is appropriate outside pairing. Unfortunately, the hundred books about Muslim teenagers do not exist. Does My Head Look Big in This? is what we have, the only book to cover so some issues of horse opera Muslim teenagers. And, despite its flaws, the book succeeds in one of its very important goals normalizing Muslim gi rls. Here is Amal.Shes not a fanatic, shes not a terrorist, and she doesnt lead a life of misery and abuse. Shes just a teenage girl, dealing with standard high school problems but she navigates them her own Islamic way. Drawing upon the wrork of UM DAOUD, with her years of living and working among Muslims, we get the realistic picture of life for Muslim women. This time, in THINGS I NEVER TOLD MY MOTHERshe illustrate the life of thousands of Muslim women who live in more secular Muslim countries and the struggle they face between Western influences on their societies and what little they know of islam.Things I Never Told My Mother is a story set in the North African country of Tunisia. whoremaster has become a way of life for Iman. Ignored in her early years by her career-minded parents, the jerky intrusion of her mother into her life pushes Iman to become something she never imagined. Though Muslim, her loose lifestyle leads her into many risky encounters with the opposite se x. When true love does finally come her way, she finds herself incapable of returning it, perhaps losing forever the topper opportunity to escape her mothers reach. Desperation leads to desperate measures and even up a reanalysis of her own faith.Could divinity love her? This is the question Iman asks herself as she things back over all the things she never told her mother. This book brings us face-to-face with a side of Islam many of us do not realize is theresecular Islam. Yet, many Muslim live in areas that allow a freedom that sometimes causes them to swing from the very blimpish norms of the religion to a lifestyle that looks virtually nothing like what we would consider normal for the average Muslim. The origin writes in such a realistic way that I was instantly drawn into the plight of the women.This novel reveals that the Muslim community is much more decomposable than the stereo-typical terrorist version portrayed in the media. Things I never told my mother will do mu ch to increase the readers understanding the Muslim world. It was a fascinating exploration into the lives of women in the Muslim culture. This book shows the secular Muslim lifestyle and a young woman who lives it, until she comes in contact with people with a living faith. The author has lived among these people and understands their varied lifestyles. This book is for older youth and adults, as there are sexual situations.These situations are important to the understanding of the culture and lifestyle. The size of a mustard seed by Umm Juwayriyah , is a story of being a Muslim in the metropolis, in America here and now the struggles, the joys, the sorrows, the complexities. Its very realistic, and hard to believe that its a false account The characters are well-rounded, complex, and multicultural. Sullivan ushers in a new era of fictionurban Islamic fictionwith this tale about Jameelah, a 27-year-old Muslim woman born to what appears to be one of the inner-citys stronger blended American-Muslim families.She works as a hair stylist with her two best friends in the citys only Muslim womens owned and operated hair salon, Covered Pearls. On appearance and material possessions alone Jameelah seems to be doing big things she has a pleasant family, owns a fly car, she has her own apartment and shes not too far off from getting her aid degree. What most dont know is that she is one traffic jam away from losing control of her life. Being a single(a) Muslim woman isnt easy plus deport 9/11 stresses still seem to ghost her. Jameelah prays for a change, but what will she do if change actually comes?When a prominent Imam proposes marriage to Jameelah she feels as if its the blessing that she has been waiting for from Allah. She knows marrying him will change her life, but when an unexpected family crisis erupts and secrets are exposed, Jameelah is forced to irritate hard choices and put her complete faith in the only One unable to break it. The author has made the characters stunningly realistic, and has given them the ability to draw you into their plights and dilemmas. Not only do we have Jameelah, the of import voice of the story, we also have her sister, Khadijah, their younger brother Adam, and a lovely young Muslim veer named Shevon.Follow Jameelah as she struggles with her personal demons of attitude, family obligations and the single life. Learn about the struggles of a young Muslim convert named Shevon whose family does not accept her chosen faith. Understand what it means to be a Muslim in a post 9/11 world. A fictional story about a young Muslim woman facing everyday life and spiritual challenges in her Muslim community in Central Massachusetts. This bookit unresolved a window for many of the non-Muslims in our group into the ways that Islam infuses everyday life for Muslims. Marriage on the street corners of Tehran by Nadia shahramAlthough fiction, this book is a real eye-opener to how pervasive the inequality of women is in the modern culture of the Islamic Republic of Iran. The author creatively uses the format of a novel as a vehicle to tell the true stories of women who have lived the harsh reality of a clubhouse and culture that demonizes and crushes females. The blast of reading about modern men and women following the blueprints of sixth- century tribal Persia in the modern city of todays Tehran will make you realize how little we average American readers know about the everyday lives of ordinary Iranian girls and women.The ancient practice of siggeh allowed men to contract marriage with three-fold women a practice originally intended to provide male protection to widows and children who otherwise couldnt support themselves. This novel exposes how siggeh is now widely used by men simply as a mans way to legally marry multiple women and have sex with them at his will it is, in fact, a legal and religiously-sanctioned form of prostitution. The heart of the novel is the story of Ateesh, a strong, thoughtful and proud young woman, who struggles to find some modicum of independence in an overpoweringly male-dominated society.Her preceptor marries her off at the age of twelve to an older man she has never met, and she finds herself degraded, abused and quarantined in the home of her husband. She finds the courage to escape and flees back to her home, but then finds herself rejected by her father and responsible for her own future. With limited options as a young, unmarried woman, she eventually turns to the practice of temporary marriage (siggeh), in which she contracts herself as a temporary bride to different men, and in this way is able to support herself and even save some of the money she earns to put herself through school.What is so amazing is that this practice of temporary marriage is practiced openly and legally in this Islamic society, allowing married men to contract with temporary brides whenever they fate in order to legally have sex outside of marri age shocking, in a society where adultery is itself punishable by stoning to death. In the course of the book, the author explores many other practices that oppress and harm women in these societies, including blood money and honor killings.This novel is not only an interesting, thought-provoking story, but is also a moving exposition of the more positive aesthetic aspects of the Islamic culture, especially their dishy gardens and dramatic poetry and music. The novel is an easy read but do not be fooled, Nadia Shahram deals with complex cultural, religious, and legal issues pertaining to Muslim women. The novel,ZOHRA BY Zeenuth Futehally, is first published in 1951, is set in Hyderabad in the early part of the twentieth century.It is the story of a young high-class Muslum woman, who is forced to marry and thus put aside her natural inclination to read and write and lead an independent life. Zohra, whose emotional growth and development mirrors the development of the Indian nationa l consciousness. Zohra is forced to marry against her wishes at the age of eighteen at the damage of her creative inclinations. What follows is her increasing distance from her husband who does not share her creative interests and her friendship and love for her brother-in-law Hamid, who is very much the face of modern India.Zohra subjugates her desire for Hamid in the face of her sense of inviolable duty, and finally escapes the fond conventions that bind her, but only through the ultimate tragedy death. What makes this novel valuable is the rich depicting of the way of life of Zeenuth Futehallys native Hyderabad, as well as her compassionate understanding of how women were restricted by the wishes of their parents and husbands. It evokes a period of civicunrest that preceded Indian independence. Fictionalized account of a true story of a Muslim woman, victim of disguised evils in Islamic society.AMINA by Mohammed Umar is the dramatic story of the exertions of the heroine and her friends to bring about change in the social conditions of women in Nigeria addresses pressing political issues which rarely appear in fiction the legal status of Muslim women, the limitations imposed on them by traditional and religious conventions, the restrictions on their economic activities, the effects of a corrupt patriarchal system on the society at large and women in particular, the humiliations visited on women as a result of unquestioned male power in personal relationships from a womans point of view.Ingeniously conceived and dexterously written, this is a story about the emancipation of women in Nigeria from within. Not simply a social document, it engages the readers bounty through its portrayal of the attractive and believable woman after whom it is titledAmina. Amina is a timely novel, and the executing of the narrative is so convincingly crafted that parallels with the historical legendary life of the 16th century Hausa ruler and far-famed warrior Queen Ami na of Zazzau seem unavoidable. The novel leaves you feeling that there is hope for change in Nigeria.The Fall of the Imam by Nawal Sa?dawi is surrounded by a coterie of ministers, the Imam rules over an imaginary earthly kingdom. Bint Allah is the girlfriend of God, a bonnie illegitimate girl. She is falsely accused by the Imam of adultery and sentenced to death by stoning. Then, during the annual Victory Holiday, the Imam himself is killed. The story of each of these deaths is told repeatedly, as this goodly and poetic novel reveals the vestigial hypocrisy of any male-dominated religious state, and the insufferable predicament of women in a society that must at last self-destruct.In the preface to The Fall of the Imam, Saadawi explains that the text comes out of her experience in Egypt and elsewhere in the Middle eastern United acress during a period of ten years before the novel appeared in 1987. She speaks of her many conversations with victims of Arab culture, such as the Iranian woman whose little girl was raped by her jailers, and the Sudanese woman who accompanied Saadawi on a visit to the Association for People with Amputated Hands, where she saw many of those who had been punished under Muslim law, called Shariat.Confronting the horrors of what men can do to men, but also what they can do to women and children, Saadawi constructed a fantasy narrative of a girl called Bint Allah, who is stoned to death for fornication, as well as crimes against God and the StateGod and the State being virtually synonymous with those in power. The decision to employ fantasy as the means of representing the horrors of a repressive State entailed some risk for Saadawi in her efforts at bearing witness to atrocities against women.Ali Ghalems A wife for my Son is a sensitive account not only of how the traditional constraints of hierarchical marriage adjoin an intelligent, independent young woman, but also of how economic exile into a post-colonial society stifle th e ambitions and the personality of a young husband. Western readers are mostly unfamiliar with the details of how marriage and family lives work in North Africa, and may be surprised at the modernity and subtlety with which the author presents his themes.A young, well-educated, woman is short and apparently without reason converted into a bride-to-be in a conventional arranged marriage. In a patriarchal society like that of contemporary Algeria, this means not only submission to her husbands desires and neglect, but also a radical shift away from her beloved home to that of her new in-laws. Fatiha chafes under the discrimination and even dislike she encounters in her new environment, especially since her husband has gone back to seek work in France and left her alone. Hocine understands that e, too, is alienated by custom and by distance, but he does not have the sensitivity nor the education, nor the modernity, to characterize his loneliness in the way his young wife does. Ali G halem carefully and patiently describes a young womans maturing in hostile circumstances which she is, finally, able to alter and re-create into a a earnings of support and even pleasure and fun. In the end, it is the young men, isolated from their customs, food and language in a hostile and discriminatory environment, who have the greatest difficulties in maintaining their customs, their personality, their birthright.This is an unusually sensitive and informative account of how ironclad gender roles affect a young generation and of the innate strengths, particularly of the young women, which can curve ball those roles into fulfilment and even comfort. Blasphemy promises to generate the same degree of excitement as her first book. curry in South Pakistan, Blasphemy is an enticing novel by Tehmina Durrani. Angry and courageous in outlook, it establishes Ms. Durrani among the frontmost writers of the Subcontinent.Inspired by a true story, Blasphemy is a searing study of evil, an uncompromising look at the twist of Islam by predatory religious leaders. In prose of great power and intensity, the author tells the tragic story of the beautiful Heer, brutalized and corrupted by Pir Sain, the man of God, her Husband. Blasphemy depicts the struggle of a Muslim Woman against all that is reversion to what Islam stands for. It is an amalgamation of fact and fiction, blending to disguise and protect the victims of a horrible human tragedy, while exposing the powerful religious imposters who prey on a wretched and powerless people.A shocking tale of cruelty, sex and violence. In order to find a cure for any infirmity its imperative that you detect it early, isolate it and then try and cure it. It is in this regard that credit should go to Ms. Durrani for getting to the root of a disease that has been rampant in many of the urban and rural areas of Pakistan. Blasphemy is a tale that demands concentrated effort from its readers to try and rid the country of the menace of female abuse. It gives a horrific account of how the custodians of religon are using their special knowledge to exploit the lliterate masses.The central character, Heer, is one such victim of this form of designed oppression by the antagonist Pir Sain. Its her exceptional beauty that catches Pir Sains eyes at first. After abusing her body on the night of their marriage, Pir Sain sets out to control her mind and soul as Heer is forcibly adapted to a life alien to her and unbearable to any human being. Blasphemy is a tale where day after day the body keeps surrendering and the soul keeps rebelling as Heer searches for a moment of peace.Through Heers experience the author brings out a blasphemous way of life, unknown to the layman, practiced not only by Pir Sain but also by his followers. Pir Sains abstinence from going to his wife during Ramadan is the action of any orthodox Muslim. His beating of Heer for missing her prayers further secures his image in front of the extremists. B ut then there is his demand that Heer aborts their child so he may satisfy his carnal desires, demands immediate retribution. Despite all his vices, he is holy and almost reverent by his followers.Blasphemy is a tale where Heer exposes the evils of these holy-men first to herself and then to us. CONCLUSION The evolving muslim women archetype has undergone several transmutations. Her textual presence has emvodied and symbolized the political , economic, cultured and ideological relations between Europe and the Muslim world at a particular historical momonts. Muslim woman have been represented discursively as products of some(prenominal) the male and feminist gaze within the context of varying relations power and domination.